Mar 24, 2008

Neuroscience, Coaching, Leadership and Learning

NOT NeuroscienceInspired by the fascinating research being conducted by Matthew Lieberman, Naomi Eisenberger and other neuroscientists, some great neuroscience blogging by Stephanie West Allen, Jeffrey Schwartz and Roger Dooley, the work of Alvaro Fernandez and Co. at SharpBrains, and the prescient questions that Tom Wolfe has been asking for the past decade, I've become obsessed by the implications of neuroscience for the fields of executive coaching, leadership development and experiential learning.

I'm well aware of the limitations of current brain-imaging technology and of the excesses of "neuro-hype" (well-documented in Haaretz by Ofri Ilani and Yotam Feldman--thanks to Roger Dooley for the reference), and I've expressed concerns myself about the rejection of sound humanistic principles by neuroscience boosters--and yet I remain convinced that neuroscience holds tremendous promise for coaches, organizational development consultants and experiential educators.

I find Wolfe's work extremely compelling.  In the articles and talks I link to above (and presumably in the upcoming book on neuroscience to which he occasionally alludes), Wolfe asserts that Homo sapiens have in some ways freed ourselves from genetic determinism by means of language and, more precisely, speech.*  For at least the last 11,000 years (dating from the earliest evidence of agriculture), Wolfe claims, speech has allowed us to adapt to and overcome our environment far faster than our genes ever could.  From Wolfe's recent interview with Steve Heilig for the S.F. Chronicle:

Once you have speech, you don't have to wait for natural selection! If you want more strength, you build a stealth bomber; if you don't like bacteria, you invent penicillin; if you want to communicate faster, you invent the Internet. Once speech evolved, all of human life changed.

And perhaps the most important change is that we're no longer merely the expression of our genetic heritage; our speech-sodden brains are far more plastic and malleable than our hard-wired genes would ever allow us to be.  Advances in genetics in recent decades ultimately suggested that humans lacked free will--our fate was written in our genes.  But Wolfe sees things differently--more from his Chronicle interview:

I'm willing to say OK, we may have no free will, but speech creates so many variables that it doesn't really matter. No machines will ever truly fully figure the brain out, because the brain's performance is constantly altered or else constrained by this inanimate, rogue artifact you can't control, namely, speech. Laws you obey, scientific findings you assume to be correct, creeds you believe in, existing plans you go by, history as you understand it - these artifacts, once accepted, will affect your thoughts and behavior and use you more than you use them.  Culture is just too big a variable to explain away with genetics...

So what's the connection with my fields of executive coaching, leadership development and experiential education?  If genetic determinism would have us believe that "Leaders are born, not made," then Wolfe's theories on the power of speech and the meaning of culture suggest just the opposite.  We have "natural," genetically-defined tendencies that support or undermine our ability to lead and to be effective interpersonally, but those natural abilities don't define our actions in those spheres.  We can learn, we can adapt and we can improve.  Some leaders may be born with a genetic head start, but all truly effective leaders are made, not born.

And just as Lieberman, et al's research on the impact of talking about feelings provides a scientific explanation for a practice that I've used in my own work countless times, Wolfe's theories and the neuroscience on which they're based suggest that many of the practices we employ in coaching, leadership development and experiential education are effective because they're consistent with--and take advantage of--the way our brains function.  (And at the same time, neuroscience also has the potential to tell us which practices and techniques are ineffective and need to be updated or scrapped.)

As noted above, I'm mindful of the limits of neuroscience, and I'd hate to see the genetic determinism of recent years replaced by a "neuro-determinism" that simply substituted brain scans for gene maps.  But we're clearly at a point where humanistic professionals--executive coaches, OD consultants, experiential educators--need to incorporate neuroscience into their practices.

* Wolfe actually suggests that we rename ourselves Homo loquax--"Talkative man"--a proposal that may have been inspired by Walter Miller's A Canticle for Leibowitz, in which Miller called us Homo loquax nonnumquam sapiens--"Talkative, and sometimes wise, man."

Feb 26, 2008

Reading List

Reading List

I was recently asked by a colleague to recommend some books on executive coaching, and the process of drawing up that list got me thinking about all the books that have had a major impact on my professional development.  This list isn't exhaustive--and by focusing on books per se it omits many articles, papers and chapters that have had an even greater impact than some of these books--but it hits many of the high points.  I may return later to add items or make comments or to sub-divide the list into categories, but at the moment I find that an alphabetized list strikes a nice balance between order and (seeming) chaos:

The Answer to How is Yes: Acting on What Matters, Peter Block

Authentic Happiness, Martin Seligman

Blink: The Power of Thinking Without Thinking, Malcolm Gladwell

Changing for Good, James Prohaska et al

The Cluetrain Manifesto, Christopher Locke et al

The Coaching Manager: Developing Top Talent in Business, James Hunt and Joseph Weintraub

Co-Active Coaching, Laura Whitworth et al

Comfortable with Uncertainty, Pema Chödrön

The Consolations of Philosophy, Alain de Botton

Crucial Conversations: Tools for Talking When Stakes Are High, Kerry Patterson et al

Exuberance: The Passion for Life, Kay Redfield Jamison

Fierce Conversations: Achieving Success at Work and in Life One Conversation at a Time, Susan Scott

The Fifth Discipline: The Art and Practice of the Learning Organization, Peter Senge

The Fifth Discipline Fieldbook, Peter Senge et al

Flawless Consulting: A Guide to Getting Your Expertise Used, Peter Block

The Flawless Consulting Fieldbook and Companion, Peter Block et al

Getting Things Done, David Allen

Harvard Business Review On Managing Yourself

Harvard Business Review On Women in Business

Influence: The Psychology of Persuasion, Robert Cialdini

The Inner Game of Work, Tim Gallwey

Management Challenges for the 21st Century, Peter Drucker

The Masterful Coaching Fieldbook, Robert Hargrove

Meditations, Marcus Aurelius

More Than a Motorcycle: The Leadership Journey at Harley-Davidson, Rich Teerlink and Lee Ozley

The Neurotic Behavior of Organizations, Uri Merry and George Isaac Brown

The No Asshole Rule, Bob Sutton

The Organizational Behavior Reader, Joyce Osland et al

Power Up: Transforming Organizations Through Shared Leadership, David Bradford and Allan Cohen

Reading Book for Human Relations Training, Alfred Cooke et al

Start Where You Are, Pema Chödrön

Status Anxiety, Alain de Botton

The Substance of Style, Virginia Postrel

Transitions: Making Sense of Life's Changes, William Bridges

What Should I Do with My Life?, Po Bronson

When Things Fall Apart, Pema Chödrön

Why Bad Presentations Happen to Good Causes (free download), Andy Goodman

Why Should Anyone Be Led by You?, Rob Goffee and Gareth Jones

The World According to Peter Drucker, Jack Beatty

Work Matters: Women Talk About Their Jobs and Their Lives, Sara Friedman

Working with Emotional Intelligence, Daniel Goleman

Photo by joguldi.  Yay Flickr and Creative Commons.

Feb 18, 2008

Geert Hofstede on the Dimensions of Cultural Difference

Some recent reading (James Hunt & Joseph Weintraub's The Coaching Manager and Terry Bacon & Karen Spear's Adaptive Coaching) led to further thinking about the dimensions of cultural difference: What are the ways in which cultures differ?  How do we measure these differences?  And how do these differences affect our interpersonal relationships?

Hunt and Weintraub referenced a paper by Geert Hofstede on "Cultural Constraints in Management Theories," first published in 1993 in the Academy of Management's journal Executive (now known as Perspectives), and cursory research suggests that Hofstede has been the leading thinker on this subject since the 1970s.  (A full copy of Hofstede's paper is available online.)

Hofstede joined IBM in 1965 as a trainer in the international Executive Development Department, and his work over the next 15 years formed the basis for his 1980 book Culture's Consequences: International Differences in Work-Related Values (republished most recently in 2003 as Culture's Consequences: Comparing Values, Behaviors, Institutions and Organizations across Nations.)

Hofstede initially identified four primary dimensions of cultural difference and subsequently added a fifth on the basis of further research conducted by Michael Bond.  Here's a quick overview of these dimensions of difference (definitions excerpted from Geert-Hofstede.com and from Hofstede's 1993 "Cultural Constraints..." paper):

  • Power Distance
    The degree of inequality among people which the population of a country considers as normal: from relatively equal (that is, small power distance) to extremely unequal (large power distance).  The extent to which the less powerful members of organizations and institutions (like the family) accept and expect that power is distributed unequally. This represents inequality (more versus less), but defined from below, not from above. It suggests that a society's level of inequality is endorsed by the followers as much as by the leaders.

  • Individualism
    The degree to which people in a country prefer to act as individuals rather than as members of groups.  On the individualist side we find societies in which the ties between individuals are loose: everyone is expected to look after him/herself and his/her immediate family. On the collectivist side, we find societies in which people from birth onwards are integrated into strong, cohesive in-groups, often extended families (with uncles, aunts and grandparents) which continue protecting them in exchange for unquestioning loyalty. The word 'collectivism' in this sense has no political meaning: it refers to the group, not to the state.

  • Masculinity
    The degree to which tough values like assertiveness, performance, success and competition, which in nearly all societies are associated with the role of men, prevail over tender values like the quality of life, maintaining warm personal relationships, service, care for the weak, and solidarity, which in nearly all societies are more associated with women's roles. Women's roles differ from men's roles in all countries; but in tough societies, the differences are larger than in tender ones.

  • Uncertainty Avoidance
    The degree to which people in a country prefer structured over unstructured situations. Structured situations are those in which there are clear rules as to how one should behave. These rules can be written down, but they can also be unwritten and imposed by tradition. In countries that score high on uncertainty avoidance, people tend to show more nervous energy, while in countries that score low, people are more easy-going. A (national) society with strong uncertainty avoidance can be called rigid; one with weak uncertainty avoidance, flexible. In countries where uncertainty avoidance is strong a feeling prevails of "what is different, is dangerous." In weak uncertainty avoidance societies, the feeling would rather be "what is different, is curious."

  • Long-Term Orientation
    Values associated with Long Term Orientation are thrift and perseverance; values associated with Short Term Orientation are respect for tradition, fulfilling social obligations, and protecting one's 'face'. Both the positively and the negatively rated values of this dimension are found in the teachings of Confucius, the most influential Chinese philosopher who lived around 500 B.C.; however, the dimension also applies to countries without a Confucian heritage.

Both Hunt & Weintraub and Bacon & Spear discuss a related dimension which appears to be rooted in Hofstede's work:

  • High vs. Low Context
    (Hunt & Weintraub) The influence of context involves the degree to which protocol and tradition dictate how communication should proceed.  In high-context cultures, greater emphasis is placed on protocol, and communication tends to move from the general to the specific.  In low-context cultures, communication tends to be more to the point, an approach that can come across to individuals from high-context cultures as rude.

    (Bacon & Spear) Some cultures, mostly Western, are low-context cultures that practice explicitness and directness in their communication style.  They depend on the people in the immediate communication situation to convey meaning and create a unique context.  The purpose and outcome of the communication--the transaction--take precedence over the interpersonal relationships involved... High-context cultures, on the other hand, prize subtlety and indirectness... They depend on a shared cultural context to carry meaning.  Instead of getting down to business, high-context cultures tend to rely first on existing relationships outside the business arena so that shared understandings make explicitness unnecessary.  Or they take time to build relationships of the participants are strangers--often maddening amounts of time to a transactionally minded, low-context person.  To a low-context culture, this style of communication can look undisciplined, evasive, untrustworthy, uninformed (dare we say "stupid"?), or just plain lazy and a waste of precious time.  To a high-context culture, the explicitness of low-context communication can look boorish, pushy, patronizing, indelicate, distrustful, unnecessarily detailed ("stupid"?), and insensitive.

In addition, Bacon & Spear discuss two other dimensions of difference:

  • Achievement vs. Ascription
    In ascription-oriented societies, factors such as age, gender, social connections and social class, family background, and religious or spiritual position define status... These societies define status based on who the person is.  On the other hand, achievement-oriented societies tend to define status based on what the person has achieved: educational credentials, both in terms of degrees earned and where they came from; stature in the business hierarchy; amount of experience.  In actuality, these two distinctions can be tightly intertwined... Some "ascriptions" are harder to cross than others... Likewise, even the most achievement-oriented culture still looks for certain markers of ascription: the right references, the right schools, the right dress, even the right physique.  There is a tendency to think of ascription-oriented cultures as traditional and achievement-oriented cultures as more modern and progressive, but it is more useful to see how sources of ascribed value change and continue to influence all societies.

  • Objective vs. Subjective
    Western culture conceives of itself as having a rational, empirical, objective relationship with the world... For someone bound up in objectivist ways of knowing and interacting, emotions simply cloud the issue and waste time... For a person for whom a subjective emotional response is a gauge of something worth attending to, something worth putting your heart in, detached objectivity signals disengagement or unimportance, coldness, and distance.

Cultural Dimensions in the U.S.I found it helpful to have these definitions clearly articulated; they give me a useful frame of reference when considering the ways in which cultural differences could be at work in a given interaction.  But what really brought these concepts to life for me was Hofstede's research on the United States--again, quotes are from Geert-Hofstede.com:

There are only seven (7) countries in the Geert Hofstede research that have Individualism (IDV) as their highest Dimension: USA (91), Australia (90), United Kingdom (89), Netherlands and Canada (80), and Italy (76). [Note: The world average is 43.]

The high Individualism (IDV) ranking for the United States indicates a society with a more individualistic attitude and relatively loose bonds with others. The populace is more self-reliant and looks out for themselves and their close family members.

I've always held individual autonomy and freedom of choice to be among the most important values; in fact, much of my work revolves around helping others be more fulfilled and effective by realizing their individual identities more fully.  And while I've certainly been aware that these beliefs are culturally conditioned, it's striking to realize that I live in the most individualistic society on the planet.  This knowledge doesn't necessarily alter my values, but it puts  them in a useful context.

The next highest Hofstede Dimension is Masculinity (MAS) with a ranking of 62, compared with a world average of 50. This indicates the country experiences a higher degree of gender differentiation of roles. The male dominates a significant portion of the society and power structure. This situation generates a female population that becomes more assertive and competitive, with women shifting toward the male role model and away from their female role.

Again, although I'm well-aware that my attitudes about gender roles are culturally conditioned, it's interesting and useful to know that U.S. society is substantially more male-dominated than the rest of the world.

The United States was included in the group of countries that had the Long Term Orientation (LTO) Dimension added. The LTO is the lowest Dimension for the US at 29, compared to the world average of 45. This low LTO ranking is indicative of the societies' belief in meeting its obligations and tends to reflect an appreciation for cultural traditions.

I actually find this piece of data confusing.  It's hard to believe that the U.S. is much more appreciative of cultural traditions than the rest of the world, particularly when our Uncertainty Avoidance ranking--see below--is so low, suggesting a high level of comfort with change and ambiguity.  (Perhaps I'm simply misunderstanding the concept of Long-Term Orientation and its implications for tradition.)

The next lowest ranking Dimension for the United States is Power Distance (PDI) at 40, compared to the world average of 55. This is indicative of a greater equality between societal levels, including government, organizations, and even within families. This orientation reinforces a cooperative interaction across power levels and creates a more stable cultural environment.

The last Geert Hofstede Dimension for the US is Uncertainty Avoidance (UAI), with a ranking of 46, compared to the world average of 64. A low ranking in the Uncertainty Avoidance Dimension is indicative of a society that has fewer rules and does not attempt to control all outcomes and results. It also has a greater level of tolerance for a variety of ideas, thoughts, and beliefs.

As with Individuality, Hofstede's research on these final two dimensions resonate deeply with me.  I feel that I share my culture's low Power Distance and Uncertainty Avoidance and as a result have a clearer understanding of just why I feel at home in the United States.  At the same time, having this objective view of my culture allows me to see it from a new perspective--it's suddenly visible to me in a way that it wasn't before, and I have a better understanding of myself as a product of my culture.

This brief exploration of the dimensions of cultural difference doesn't address the third (and possibly most important) question I raised above: How do these differences affect our interpersonal relationships?  But any answer to that question has to start with a better understanding of our own culture and the ways in which it has shaped us as individuals, and by knowing more about U.S. culture and its impact on me, I feel much better prepared to engage in a discussion with someone from another culture about our mutual differences and their collective impact on our ability to understand each other and work together.

UPDATE: Small world [heh]--the day before I wrote the post above, Stephanie West Allen cited Hofstede in a post on cultural differences and neuroscience:

Neurocience research is showing us that the brains of people in different cultures are not the same. Because brains differ from culture to culture, so will resistance to change. Also varying will be how conflict is viewed—and resolved. Here are just a couple of examples of the research on brains and culture.

Recently scientists in Singapore and Illinois compared how the brains of East Asians and of Westerners reacted to visual stimuli. They found that the older East Asian's brains responded differently from the brains of the older Westerners. In an article "Culture sculpts neural response to visual stimuli, new research indicates" principal investigator Dr. Denise Park is quoted as saying:

These are the first studies to show that culture is sculpting the brain.

In another study, researchers looked at how native English speakers and native Chinese speakers did arithmetic. From an Associated Press article about the research:

Simple arithmetic was easily done by both groups, but they used different parts of the brain...

I've expressed some concerns about how neuroscientific findings are applied--I think there's a powerful contemporary desire to reduce the brain to quasi-mechanical terms, and as a result we tend to privilege neuroscience and dismiss the "outdated" humanism of thinkers like Carl Rogers and Abraham Maslow from the 1950s and 60s.  But that said, it's clear that anyone with an interest in understanding human behavior must integrate neuroscience into their perspective and view it as a complementary discipline (which seems to be West Allen's approach.)  Thanks, Stephanie.

Mar 18, 2007

Why You Drink

Why You Drink

From Le Grand Content, a brilliant and baffling 4-minute animated film by Clemens Kogler and Karo Szmit:

Le Grand Content examines the omnipresent Powerpoint-culture in search for its philosophical potential. Intersections and diagrams are assembled to form a grand 'association-chain-massacre'. which challenges itself to answer all questions of the universe and some more. Of course, it totally fails this assignment, but in its failure it still manages to produce some magical nuance and shades between the great topics death, cable tv, emotions and hamsters.

There's an obvious association with Jessica Hagy's Indexed (she lists Le Grand Content's URL in her blog header), but I'm not sure who's the Chicken and who's the Egg.

Thanks to Paul Hebert for turning me on to Indexed in the first place.

Sep 13, 2006

Three Batistas: On Blogging, Marketing and Global Fandom on the Live Web

Three Batistas: Dave, Ed, Fulgencio

The ways in which the Net--particularly the "Live Web" of indexed blogs and powerful search engines--continues to shrink the world never ceases to amaze me.  For example, if you Google "batista," the first three people who come up are Dave (the professional wrestler), Fulgencio (the Cuban dictator deposed by Castro), and, uh, me.  (Can you guess who's who above?)

I'm not sure how many students of Cuban history stumble across this site, but I know that some pro wrestling fans do because yesterday morning I received the following email:

Dear Batista Supper Star,
 
My name is [deleted] and My nationality Cambodian people I watching TV on the Supper Star of Smarkdon and Raw clubs soar you to be the Supper Star have the justice and have the very much people support and take care and this firs time I searching see your email and would like to support you. I am very happy to search see your email. My two daugther she like-minded and she is like watched TV supper Star very special to be to see you.
if you contact me please you see bellow my address.
 
Thanks, Best Regards

[deleted]

On a certain level, of course, the confusion is pretty funny--"Supper Star" is my wife's new nickname for me--but I'm not posting the message to mock it.  Never having seen Dave in action, I don't know much about his wrestling persona, but apparently he's a good guy--he "[has] the justice" and "the people support."  And it's somehow touching to think about a man in Cambodia watching pro wrestling with his daughter, both of them rooting for Dave Batista, then tracking down an email address and sending a message to express their admiration as fans.

I know I shouldn't be surprised that American pro wrestling is popular in Cambodia--but I am.  And now I have all sorts of questions about the internationalization of pop culture: How is pro wrestling perceived in places like Cambodia?  As pure entertainment?  Pure sport?  Some combination of the two?  Are the wrestlers' outsized personas seen as characters?  Are kids around the world holding "backyard brawls" like their American counterparts and getting scolded by their parents?

But there's an even more basic question: What have I done to be in the mix with Dave (whose reach obviously spans the globe) and Fulgencio (a third-rate dictator but an historic figure nonetheless)?  The answer is: I blog.  And blog posts are indexed, and search engines just love indexed content, and that's how you get found on the Live Web these days.

Sep 12, 2006

Monet in Normandy: On Personal Vision and Hard Work

Find what you love to do, do it your own way, and dedicate yourself to that pursuit.  That's the lesson I took away from a visit last week to the Monet in Normandy exhibit at the Legion of Honor in San Francisco.  Monet spent most of his life in northwest France, and the exhibit's several dozen paintings trace his development as an artist while documenting the natural world that surrounded him.  I'm hardly an art historian, but seeing 60-some years worth of work compressed into a handful of galleries gave me a new perspective on Monet and a keen appreciation for his work ethic and for his accomplishments as a champion of personal vision.

Regatta at Sainte Adresse, 1867

"Regatta at Sainte-Adresse," from 1867, when Monet was 27, was my favorite of the earlier works.  Even in this conventional scene there's something oddly personal and moving--I like to think that comes from Monet's commitment to paint what he saw, not necessarily what anyone else would see.  That quality is buried in the more detailed images of the ships and buildings and bystanders, but it bursts through in his treatment of the sea and the sky.

Over the next few decades Monet found a way to tap into that personal vision, and it allowed him to pare down his work to its essential elements (apparently at some financial cost, given art buyers' preference for paintings with things like people and ships.)

Grainstack at Sunset, 1891"Grainstack at Sunset" from 1891, when Monet was 51, was my favorite painting in the show, and this little image doesn't come close to doing the original justice.  In person the colors are incredibly rich and vibrant--they seem to radiate off the canvas.  This image also does a poor job of capturing the almost abstract quality of the original.  Standing in front of the painting, I felt as though Monet had used the real world merely as a springboard to allow us to sense the colors and feelings coursing through his head.  The grainstack, the fields, the sky, the sunlight are just props--the painting's real subject is something else entirely.

The painting's surface is also intensively worked over, as though Monet returned to it again and again until he was satisfied.  The note accompanying the painting mentions that he typically set out at sunrise or at sunset with a wheelbarrow filled with half-completed paintings and supplies, and he worked on the painting that best matched the day's weather and light conditions.  I love the image that conjures up of a man passionately dedicated to his craft, working not just "when the spirit moved him" (like most artists in the popular imagination) but on a steady basis, allowing the spirit to find him because he was out there, at dawn or at dusk, with his wheelbarrow.

Wisteria, 1919-20"Wisteria," from 1919-20, finished when Monet was 79, is one of the last paintings in the Legion of Honor galleries.  I don't have nearly the same personal affection for this painting as I do for the two above, but it still strikes me as an extension of the themes of individual vision and hard work that resonate throughout the exhibit.

As with "Grainstack" above, the image here doesn't really convey the highly stylized and almost abstract nature of the original painting.  Sure, it looks like a wisteria vine when it's compressed into a few square inches, but when I was standing in front of it, I was almost boggled by the colors and the brushstrokes rushing across the (fairly large) canvas.

Even though my art school days are long behind me, there's something deeply inspirational in Monet's ability to absorb a conventionally beautiful image and use it as a vehicle for personal expression that's relevant to my professional path today.  Every job, every project is an opportunity to express myself fully.  I'm not saying I approach my work as an artist per se (nor am I comparing myself to Monet), but I often face a choice between doing something the conventional way and doing it the way I believe it should be done, and Monet's example will help me make the right choice more often.

Although Monet finally achieved some financial security in the final decades of his life, he faced a number of personal difficulties.  His second wife Alice died in 1911, and his son Jean died in 1914.  After painting "Wisteria," he would undergo two surgeries for cataracts in 1923.  And it appears that he kept painting through it all, right up until his death in 1926 at age 86.  I have to believe there's a correlation between loving what you do, pursuing your personal vision, and finding the strength to keep doing it all your life, no matter what obstacles you face.

Jul 30, 2006

Art Ain't About Paint

Art Ain't About Paint

Jun 23, 2006

I Was An Anticorporate Rebel

Chuck Taylor

I was a Chuck Taylor devotee for many years, from high school to college to art school back to college, before finally giving them up at some point in my mid-20s.  Today's Wall Street Journal has an article by Stephanie Kang on Nike's efforts to extend the brand beyond its traditional image to appeal to more fashionable tastes.  (Nike acquired Converse in 2003.)  Kang dutifully finds a grumpy old skooler who keeps it real by dumping on the new models: "What's happening is that Converse has now gotten greedy... That's why these are not as cool."  Whatever.  The guy probably thought Converse was selling out when they unveiled the fantastically fugly day-glo orange model that I loved so dearly back in 1987.

The upmarket, fashion-forward Chucks being rolled out now won't be a huge success, but they're not intended to be--their purpose is to generate publicity (like right now) around the fact that Chucks don't just come in the six basic flavors (black, navy, white, "optical" white, red and all-black), but in 471 varieties.  (See for yourself at Converse's Flash-infested abomination of a site.)

And despite the grumbling of Kang's man in the street, I think that's wonderful.  Let a thousand sneakers bloom.  But our old skooler seems hopelessly entangled in the faux-utilitarian iconography that Chucks used to stand for.  As Kang writes,

[E]ven as Converse lost favor with pro players, it stumbled on a new fan base to court: Rockers Joey Ramone and Kurt Cobain were among the first slacker heroes to wear Chucks, influencing the footwear of millions of anticorporate rebels for years to come.

Let's ignore Kang's slightly slippery grasp on punk and pop-culture history and stipulate to the point she's trying to make: Chucks used to be cheap gear for proles, or rich rockstars who wanted to maintain a prole image, or anyone who was keepin' it real.  So how will Nike navigate these challenging waters?

The suits are following the script--"It's such an iconic shoe that we're trying not to overextend it," coos Nike CEO Mark Parker--but that hardly seems necessary.  If you're really an anticorporate rebel today, you're not buying Chucks--you're buying fair-trade, no-marketing sneaks made from organic hemp and recycled rubber.  And if you think your Chucks are making a statement against the Man, you're delusional.  (Although perhaps the delusional market segment is a big concern for Nike, I don't know.)

There's a larger story to be told here about 1) the end of authenticity (or more accurately, the end of perceived, manufactured and marketed "authenticity"), 2) the resulting decoupling of phony and ineffectual connections between the personal and the political, and 3) the individual's liberation from the herd--not just within the mainstream, but (and especially) within smaller, often politicized sub-cultures.  Whew--but that's a whole more than I have time for today.

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Jun 19, 2006

Happy Birthday, Slate

Happy BirthdaySlate turned 10 over the weekend, an event that makes me realize both how much things have changed over the past decade and how quickly the time has flown by.  I don't read many general interest sites, but I remain loyal to Slate, partly out of habit, partly because of writers like Christopher Hitchens, Dahlia Lithwick, and Dana Stevens, and partly because I enjoy watching one of our oldest online institutions continue to evolve--and, I might as well add, despite disappointing gaps in coverage (sports and music, for starters) some deadwood that should be cleared away (the Explainer, anyone?  Dear Prudence?) and a baffling refusal to effectively integrate reader feedback, which remains segregated in the navigation-challenged Fray.

Michael Kinsley's look back at Slate's founding highlights just how far we've come:

My original idea, believe it or not, was a publication that you would download and print out once a week. It would have been an inferior version of a print magazine—a bunch of pages stapled together (if you had a stapler nearby).

By the time Slate was launched, we had moved beyond that primitive once-a-week notion. I remember, with some embarrassment, the eureka moment when it dawned on me that an online magazine doesn't have to publish an entire issue at once. Pretty soon, I even figured out that you didn't need to have "issues" at all.

It's worth remembering how Kinsley's move out to Seattle was initially received by most members of the media establishment in Washington and New York ten years ago: they thought he was nuts.  But to me and many others who weren't particularly interested in technology but who were plenty interested in political and cultural journalism, it was an intriguing signal.

I started using email in earnest in 1994, to collaborate with some colleagues on a volunteer consulting project and to plan a motorcycle trip with a friend on the East Coast, and a year later I was just beginning to learn more about the wider world of the Internet.  It was fascinating, but as a non-techie I found the tools hard to use and found it even harder to uncover meaningful information related to the things I really cared about--politics, literature, music, food, art, sports, history.

But the news about Michael Kinsley's project with Microsoft caught my attention.  I admired him as a political and cultural thinker, and I respected him as a thoughtful highbrow with a populist bent.  If someone like Kinsley was getting involved, perhaps the Internet could begin to reflect the richness of the world around us, and perhaps it could be accessible by ordinary, non-technical people.  Of course, many people have contributed to Slate's success, and millions more have participated in the transformation of the Net, but I still mark Kinsley's commitment to the weird, experimental vision of online publishing as an important moment.  Kinsley hasn't been involved in running Slate for five years or so, but I hope he feels a sense of pride and accomplishment, not only for helping to launch a still-running and occasionally-profitable venture, but for helping people like me to see technology's non-technical potential.

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May 03, 2006

Steven Johnson, Reality TV and Texas Ranch House

Everything Bad Is Good For YouTexas Ranch HouseSteven Johnson's Everything Bad Is Good For You (a brilliant book that I find myself referring to constantly) is subtitled "How Today's Popular Culture Is Actually Making Us Smarter," and one of the examples he cites is (gasp!) reality television:

The conventional wisdom is that audiences flock to reality programming because they enjoy the prurient sight of other people being humiliated on national TV... But for the most successful reality shows--Survivor or The Apprentice--the appeal is more sophisticated...

As each show discloses its conventions, and each participant reveals his or her personality traits and background, the intrigue in watching comes from figuring out how the participants should best navigate the environment that's been created for them.  The pleasure in these shows comes not from watching other human beings humilated on national television; it comes from depositing other human beings in a complex, high-stakes environment where no established strategies exist, and watching them find their bearings.  That's why the water-cooler conversation about these shows invariably tracks in on the strategy displayed on the previous night's episode...

Bingo.  And today there's a flavor of reality programming to fit every cultural palate, from lowbrow, gross-out/thrill-seeking shows like Fear Factor and schadenfraude-fests like Blind Date, to the quasi-educational, historical-fish-out-of-water series like Texas Ranch House that have become a staple on public television.

I love shows like Texas Ranch House, and Johnson zeroes in on their primary appeal: second-guessing the participants' strategic choices in a complicated social environment.  I've often thought these shows could serve as management training tools by providing engaging examples of successful (and not-so-successful) interpersonal techniques.

Texas Ranch House (currently halfway through its eight-episode run on PBS) is a textbook case in this regard.  The ranch "owner," real-life San Francisco hospital administrator Bill Cooke, may yet succeed in rounding up and selling enough cattle to insure the ranch's survival, but at this point things aren't looking good, in no small part because of Cooke's missteps as a manager.

Cooke's cowboys think he's putting his family's creature comforts ahead of their professional needs and that his submissive attitude toward his wife is jeopardizing the ranch's future.  At the same time, Cooke's wife thinks the cowboys are exploiting her husband's desire to be liked and that their complaints are fueled by sexism and petty resentments.  Even Cooke's daughters are unhappy and want to go home.  The guy's in a tight spot, and I find it impossible to tear myself away--not because I'm enjoying Cooke's difficulties, but because I keep thinking to myself (or actually yelling at the screen), "Why didn't you do [this or that] instead?!?"

But I'm not just venting and feeling superior--I'm actually taking away some valuable insights.  Cooke's fundamental problem is that although his natural management style is conciliatory and team-oriented, he never invested the time and energy required to forge his family and his cowboys into a united team.  Instead, they've split into two competing tribes, with him caught in the middle.  He can't choose one group over the other, and in any event he lacks the force and authority to compel one group to submit to his will.  But neither can he effectively ask either group to make necessary compromises, because they feel little allegiance to the team as a whole or to him as their leader.  (Of course, it doesn't help that his style of delivering bad news is reminiscent of Office Space's Bill Lumberg [sound clip].)  They may be negative lessons, but there's a lot to learn in there.

Returning to "Everything Bad Is Good For You," Johnson makes the link between our interest in reality television and our professional environments even more explicit:

Reality shows...challenge our emotional intelligence... They are, in a sense, elaborately staged group psychology experiments... The shows seem so fresh to today's audience because they tap this crucial faculty of the mind in ways that ordinary dramas or comedies rarely do--borrowing the participatory format of the game show while simultaneously challenging our emotional IQ.

...[C]ountless studies have demonstrated the pivotal role that emotional intelligence plays in seemingly high-minded professions: business, law, politics.  Any profession that involves regular interaction with other people will place a high premium on mind reading and emotional IQ.  Of all the media available to us today, television is uniquely suited for conveying the fine gradients of these social skills... Reality programming has simply recognized that intrinsic strength and built a whole genre around it.

The management training field is full of stultifying, poorly produced videos and other training tools intended to represent real-life situations.  Why not substitute highly engaging reality programming instead?  PBS programs like Texas Ranch House have lesson plans for teachers that cover topics such as cattle drives and 19th century music at a middle school level.  It would be a snap to develop some materials for grown-ups that cover topics such as leadership, team-building and conflict resolution.  You know, I'm only half-joking.

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